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Decades on Divided Stars

EU Stock: ✅UK Stock: ❌The connection between Dr. Atmo and Mick Chillage goes back to one of the finest ambient labels to ever grace this planet, FAX records. Many will remember the defining collective for their deep, extended excursions into the far-reaches of ambient mysticism - a style that is still revered to this day.Ruhleben sees a welcome return for Dr. Atmo who, after appearing on some of the very first FAX releases under his own name and different guises throughout its tenure, has been somewhat elusive of late with side-steps into other genres. Now, partnering with another FAX alumni and a foundational figure within today’s ambient music genre, Mick Chillage, the pair have returned to their roots and a defining style of ambient music.Taking Dr. Atmo’s distinctive hooks, haunting loops, and graceful melodies, Mick Chillage improvised on these foundational elements further with fine-tuned details such as delicate bass additions, rhythmic looping signals, or more organic fixtures like a finely woven Harp and extended Piano loops.Across its four extended tracks, Ruhleben is an infinite flight into mystical formations that yearn for dramatic soundscapes. A time-lapsed, slow-motion soundtrack, where Mother Nature breathes destructive fire from the depths, breaking the Earth’s surface to form dramatic cathedrals, scarred by super-natural atmospheres and eventually flooded with the life we know today.

EU Stock: ✅UK Stock: ✅If emptiness is heaviness is Godliness, Birds of Prey's third full-length LP is an immaculate conception from on high. The record luxuriates in the spaces between. What's left out says as much as what made it in. Deep, droning, and dub wise, “Vanishing Point” cascades in elegance. Its reference points call towards the sample manipulation of American tape music and the downward gaze of amniotic British bass music. It charts its own path nonetheless, building its own space for drifting off to.Unlike many peers operating in similar realms, Birds of Prey are a proper band, a foursome: Grant Aaron, Clay Wilson, Eric Holmes, and Camille Altay. Each are artists in their own right with a distinct practice. In Birds of Prey, their collaborations in studio take on a greater shape, whittled and edited into cosmic formlessness.Although borne of improvisation, you may never know that in the listening. "Vanishing Point" is a tight, coherent work, the sound of a cadre of talented musicians locked in flow. Rippling tones become glacial melodies. Cavernous drums emerge barely from the ether. Rhythms interlock, interpolate. Patterns repeat and dissolve whence they came. There is untold potency in simplicity, and Birds of Prey make it known.

EU Stock: ✅UK Stock: ✅After two series of conceptual EPs and the intricate experimental “Enso” Festival compilation, Kosei Fukuda returns with a full length solo project – the debut LP. This marks his thirteenth release on the Reiten label – a platform he created to showcase his techno music and the more general, experimental aesthetic agenda of which the club music is but one facet. As a producer and sound artist, Fukuda has shared his time between Tokyo and Berlin. Delving into the music scene of the latter in the late 2010s, he attracted the attention of and has worked with artists including Berghain resident Tobias Freund, Claudio PRC and Rabih Beaini. The album is split into two halves, and in principle, the two albums, called ‘Ruten –’ and ‘Ruten +’ are meant to represent the principle of Ying & Yang, the two elemental forces and the eternal cycle of energy. As a whole, they signify a journey from the nascent being to the eventual dissolution of everything into nothing. The first volume starts appropriately with the unassuming intro “dawn” and proceeds from the investigative look at the evanescent yet tangible droplets of “mist” and on to the contemplative gaze at the most distant, unreachable constellation of “nebula”. Regardless of metaphorical intent though, the music moves within one universe of downtempo, ambient and drone, combining the palpable beats (rhythmic pattern) with the atmospheric backgrounds (harmonic flow).

Shipping from EU: ✅Shipping from UK: ✅Hypertext' is the third album by Recent Arts, the A/V duo formed by media artist Valentina Berthelon and multi-disciplinary artist Tobias Freund. Out in February 2022 via Japan's Reiten, its 9 tracks mirror Recent Arts new, forthcoming A/V show, following their previous debuts also at Atonal and Berghain's Säule of the recent years.'Hypertext' video projections and experimental electronic music synergise ideas of non-linear data and information processing, drawing parallels to computational thinking with the way our human brains biologically process information. Visuals are the catalysts for the music, inspired by the overwhelming amount of information and the speed at which we consume different media, featuring a cacophony of hundreds of different media, poetry, images of surveillance and clips of Artificial Intelligence and Machine Learning.

Written, recorded and produced by Matti Bye in Fårö, Sweden 2022 The recordings were made on a 1926 Steinway Grand Piano through the EMS Synthi A, recorded onto tape with Nagra IV S. Photography by Matti Bye Mastered by Giuseppe Tillieci at EnissLab, Rome“The prolific Swedish pianist and composer Matti Bye has long been associated with Northern Electronics, appearing on well-enumerated compilations and collaboration-rich works. This is the first time he presents his own full-length recording with the label.'Between Darkness and White Snow' captures Bye's elemental radiance in four vignettes. Recorded on a 1926 Steinway Grand Piano through an EMS Synthi A, 'Between Darkness and White Snow' renders the perplexity of polarity with a grave assembly of textural phenomena and lyrical figures. As ephemeral harmonic mazes wilt into subdued distortion, we are left with a tentative invitation to gaze into the pooling material of Bye's compositions.”

Shipping from EU: ❌Shipping from UK: ✅Colombian-born, Juan Carlos Torres Alonso aka OKRAA debuts on A Strangely Isolated Place with a set of four extended, beguiling tracks that harness the power of a slowly developing, cathartic process ofexperimentation, textures and noise. With Garage and Electro releases amongst labels such as Lobster Theremin and Shadow Puppet, Juan’s OKRAA alias has laid ambition to cover many unrestricted styles moving forward, and none could be as fluid in description as ‘1994’.What began as an experiment in minimalism, 1994’s approach was dictated by the methods used within thecreation of its very first track, ‘Ola De Luz’. After developing 15 modules and patterns that were originallymeant to be performed live, Juan continued to use this bank of sounds as an expression of his manyemotions over the years. Each track on 1994 is inspired by different personal life events, but built upon andevolved from this similar palette of sounds, patches and field recordings.The result is a record that feels extremely focused, yet alive and growing with each listen, reflecting the manyyears of changing emotions. The sounds of underwater field recordings cascade into waterfalls of noise, anduniform waves of light, both stimulating and transformative, birth new levels of movement and energy aseach track progresses. It’s a combination of majestic force and respect for the detailed listening experience,minimalism birthing maximalism, in many ways.