Claudio Prc
Unda

Shipping from EU: ✅Shipping from UK: ❌Irradiance is Joachim Spieth’s first full length album, to be released on his own imprint Affin. It reflects a cycle ofrealignment in a carefully realized emotional journey. A constant motion through the layers of the tracks shape thesonic landscape, while evolving atmospheres provide a cohesive feel with shimmers of optimism. This is a re-release of the vinyl album from 2017.

Shipping from EU: ❌Shipping from UK: ✅Max Würden returns with his second album on A Strangely Isolated Place after 2019’s ‘Format’, experimenting with a new style of music creation on ‘Landmark’. Landmark sees Max Würden combine and integrate various external forces into his usual studio production process. Inspired by many paintings of powerful landscapes found in thrift stores throughout his hometown of Cologne, Max set out to bring various elements together as one whole over time - allowing an organic process of experimentation and collage. Short phrases of music and field recordings that weren’t originally meant for each other were realized in isolation, such as sounds from his Klangkiste (sound box) built by Max himself, guitars, an old out-of-tune Schimmel piano, and samples of early jazz and classical music. These separate elements eventually, over time, connected and came together as Landmark - a recognizable moment and formation. The collage of elements found throughout ‘Landmark’, expresses a number of different vantage points from which to gaze and focus your attention. From the more storied and instrumental-based ‘Reprise’ and ‘Range’, to the wide-scape visions of ‘Summiteer’, or the off-world portrayals in ‘Stereo A’ and ‘Stereo B’. Max can be found depicting a montage of intricately detailed moments that invite you to stand and ponder their storied creation, be it emerging from found sound, synthesizers, guitars, samples, or simply his own production sorcery. Landmark is available on gatefold 2LP gold vinyl and digital, mastered by Rafael Anton Iirsarri and featuring original photography by Max Würden, and artwork by Noah M / Keep Adding.

Shipping from EU: ✅Shipping from UK: ✅AI-31 sees the debut release from a new collaboration between Samuel van Dijk (Netherlands) and Rasmus Hedlund (Finland). Both key proponents to the scene in Northern Europe, they come together with mutual understanding and a common vision to sound. Dialog acts as a conversational exchange that sees the interplay of dynamic frequencies, evocative imagery and contemporary sonic art. Spread across four sides, the album as a whole exists as a kind of metaphysical process, eternally growing and contracting — change is the only constant, marked by a continuous progression of sound and space.

Shipping from EU: ✅Shipping from UK: ❌"Tides" is Joachim Spieth’s second longplayer which will be released on his own Affin imprint. The album is dividedinto 8 tracks, built by seemingly endless, sensitively interwoven surfaces and creates curves of tension between immersive, melancholic and euphoric moments. Layers of atmospheric sounds create a dense and engaging mood, flowing into a swirl of emotions. This is a re-release of the vinyl album from 2020.

Shipping from EU: ✅Shipping from UK: ✅Reshape contains musical interpretations by alva noto, ASC, bvdub, Warmth, Markus Guentner, Simone Giudice, zakè and Głós. The works are related to original pieces from Joachim Spieth's past creative phase and thus form a musical conclusion to the 15th label anniversary of Affin.Reshape is released as 2 x 12" vinyl album and digital formats. All tracks were mastered at Artefacts Mastering Studio in Berlin. The graphic design was realized by Markus Guentner.credits

EU Stock: ✅UK Stock: ✅Kosei Fukuda presents the second half of his debut album – Ruten. In principle, the two halves, called ‘Ruten –‘ and ‘Ruten +’ are meant to represent the principle of Ying & Yang, the two elemental forces and the eternal cycle of energy. As a whole, they signify a journey from the nascent being to the eventual dissolution of everything into nothing. Yet there’s still a deeper message at play: the omnipresence of patterns. Even the incessant flow of changes is patterned. The philosophers ask what it tells us about reality. The artists offer answers, each coded in the respective artistic language.The second volume offers a different take on such explorations, moving towards more nebulous and fuzzier modes of musical imagination. It is here where Fukuda’s music begins to evince ineffable qualities, going beyond words that could definitively grasp its content. As such it seems to be asking: are patterns really there, or are we projecting them onto the world? This change of the composition style signifies a change of intellectual perspective, the second complementing the first. Drone-like sounds of the opening tracks appear alien initially, but on closer inspection they are reminiscent of this-worldly ambient sounds – just amplified many times over, stretched to a border of recognition, and rearranged for a thought-provoking auditory experience. They are impressionist vignettes where chromatic properties count for much more than any beat or harmonic structure.