Sagat
VEIL + e/tape remix

After months of careful excavation and meticulous restoration, dj echotree finds his way to ZitStill with a singular artefact. Delving into lost remnants of the spirit world, a gapless collage of found footage, spoken word and otherworldly jazz slowly emerged. A mute yet eloquent testimony, held together by instinct and the steady pulse of the MPC.Much remains to be uncovered about this entity and its teachings, rooted in beliefs that left no written trace. What is known is its devotion to the human touch, unafraid of imperfection. A form of worship rich in texture, best experienced on hazy afternoons and mist-laden mornings.Then, almost suddenly, it was there. Born from noisy experiments, like a summer storm carrying the scent of Sun Ra, with ripples of lo-fi anchored in a Black sense of presence rather than projection. The outlines of this album took shape within a single twenty-four-hour immersion — a rough brush stroke of which only one recording was preserved.This LP is pressed on one side only; the other left open, bearing a handwritten note from the artist. A reminder that absence is not a lack, but a space intentionally left unfilled.The artwork is composed of cutouts from discarded magazines found by the roadside. Torn images, surfaces, textures — a quiet interrogation of the imperial Western gaze, not through confrontation, but through re-arrangement. What once sought to dominate is reduced to fragments, something that can be touched and reimagined.This record exists as an offering, a moment of relation. Something left behind not to be owned, but to be inhabited.CREDITS:Released on Zitstill Records, March 6th 2026Recorded in Brussels, November 2023Music, mixing and production by Louis Shungu MahunguMastering and lacquer cut by Anne Taegert at Dubplates & Mastering Layout by Otis Verhoeve, from the archives of dj echotree
Etch by dj echotree

With its second release, Fleur Sauvage stays true to its opening premise: no calculated moves, no outside logic, only work that could not reasonably exist anywhere else. Daniel[i] has been part of the La Nature and NoName fabric for years, as co-curator, resident, and crew, one of those people whose presence shapes a space long before a set begins. This album is the natural continuation of that relationship, extended now into a more permanent form.Where FS001 captured the charge of a live moment, FS002 turns inward. Seven studio compositions, built at a remove from the dance floor, without urgency or performance. The kind of record that needed time to be what it is.Daniel[i]'s first studio album on Fleur Sauvage opens like a threshold. Portal establishes the grammar early: patient, weightless, suspended between states. What follows is not a journey with a destination but a field to move through. Occult folds something private and half-lit into the texture. Borders stretches into the uncertain territory between waking and drift.The B-side loosens further. Reverie does exactly what the word promises, without apology. Anew carries a quiet kind of relief, not triumphant but settled. Heavenly closes the record differently: a long, unhurried progression, organic sounds swelling and receding in waves, building toward something that never quite resolves, and doesn't need to.Throughout, the sound is precise without being cold, textured without ornament. Ambient in the truest sense, music that holds a room, and asks nothing back.

Introducing Fleur Sauvage: A New Chapter Rooted in Emotion and CommunityThe idea for Fleur Sauvage first took shape in 2022, quietly evolving and shared only with a select few. It began with a desire to give new life to the spellbinding improvisations experienced at La Nature—those rare, unrepeatable instants that move us deeply and stay with us long after the sound has faded.In the spirit of that beginning, the label will open space for a variety of releases: expect intimate solo works, carefully curated compilations, and other sonic offerings from artists close to our he(art).More than just adding a new label to the world, our purpose is to grow with our community. Community is everything. At the end of the day, what matters most to us are the relationships we cultivate—with artists, supporters, collaborators, and the many spirited souls who help us create these rare and radiant gatherings.Katatonic Silentio – Live at La Nature 2023Captured in the immersive cocoon of the Hypnose Room during the 2023 edition of La Nature, this debut release on Fleur Sauvage is a raw transmission of Katatonic Silentio’s improvisational live ritual.Split into four parts across two 12” records, this work moves between experimental abstraction, textured noise, and cinematic ambient. Tension runs like a thread through each piece—sometimes humming beneath the surface, sometimes rupturing into visceral sonic peaks that leave you breathless. Deep low-end pulses and granular ruptures twist through fleeting moments of stillness, creating a sense of instability that is both electrifying and intimate.The recording documents more than a performance—it holds space for something elemental, unpredictable, and deeply embodied. As always with Katatonic Silentio, the sound is not just heard—it is inhabited.Release: Fleur Sauvage 001 – Double 12” 180g vinyl in single coverArtist: Katatonic SilentioRecorded live at La Nature 2023Mastering: EnisslabArtwork: Simon Medard & Vincent Evrard 
Cover: Siméon GrégoireDistribution: Space Cadets DistributionPressplant: AFG

With centuries of history, traditional instruments carry physical vibrations shaped by human breath and touch. In contrast, electronic music generates vibrations through inorganic principles such as electrical signals and circuits. When the subtle tremors of traditional instruments resonate with the intricate tonesof electronic sounds in an improvised dialogue, performers from distinct realms expand each other’s languages, creating a new sensory experience.The project album Ancient Moment marks the first collaboration between the Korean contemporary music ensemble WhatWhy Art and the Seoul underground electronic music collective vurt.. It is a record of a free journey where two different worlds collide and merge, breaking cultural boundaries and dismantling aesthetic hierarchies.In Part 2 of the album, you will hear boundless performances by haegeum player Jieun Kang with electronic musician Djilogue, and Whatwhy Art with electronic musician Siot.The recording was done in an improvised one-take format at STUDIO Y in Seoul, and Giuseppe Tillieci mastering enhanced the sonic quality.CreditJieun Kang / HaegeumHong Yoo / DaegeumHwayoung Lee / GayageumWoongsik Kim / Korean Traditional Percussion Djilogue / ElectronicsSiot / ElectronicsProduced by Hong Yoo, YoojunExecutive Produced by Jieun KangDesigned by YoojunMotion Graphic Video Created by NahsolLive Sound Recorded by Jeong Morgan at STUDIO Y Mastered by Giuseppe Tillieci at EnisslabSupported by Arts Council Korea (ARKO) Distributed by Space CadetsReleased by WhatWhy Art & vurt.

Âsan’s second EP Go Nuclear is an eruption. This four-track follow-up stands as the aftermath — the exhale after prolonged internal pressure. Side A unfolds inward. Two tracks built for the mind — hypnotic, immersive, almost dissociative in their pull. The opening piece, Picktooth, is a slow-burning ascent. It builds in increments — pressure accumulating in cycles.The impact feels intangible rather than physical. Gradual pressure and tension that keeps rising, rhythm locking you into a state that feels almost uncomfortable, but controlled.The title track, “Go Nuclear”, channels a different kind of intensity. The phrase was borrowed from a bold journalistic call to “Go Nuclear” in response to the fractured global politics — a need for decisive, uncompromising action from people. The track is heavy, confrontational, and unapologetic. It carries the psychological weight of irreversible decisions — evoking the complex emotional aftermath of historical acts like the bombings of Hiroshima and Nagasaki. There is force and dominance in its structure, but also an undercurrent of unease — relief entangled with consequence.Side B shifts the energy outward. Here the focus is groove and impact. The last two tracks are built for presence — rhythm-forward, stripped back, arranged carefully for maximum weight on a dance-floor. After the internal density of Side A, this feels physical. Direct!If Beychen was about creative unrest, Go Nuclear is about release — not peaceful resolution, but relief earned through endurance.

BRA (Big Room Ambient) is a new label dedicated to ambient and experimental sound, a space for open sonic exploration where electronics and distant musical traditions converge to create evolving soundscapes.The label’s first release is Harmograph by Matteo Scaioli, a hypnotic and deeply organic work shaped by self-built synthesizers, experimental electronics and masterfully performed tablas. The album, with a run time over 35 minutes, unfolds as a fluid sonic journey, where rhythm and texture interact in a subtle balance between structure and improvisation.With Harmograph, BRA begins its catalogue by looking toward unexplored territories of contemporary sound.