Anthony Linell Evigt Mörker
Ett anständigt liv

Anthony Linell's Lundin Oil project suggests a politic and an aesthetic in one swift movement. We may make certain deductions about each, but we must work backwards from where they meet. Through the brutalising industrial mechanisms to which titles cryptically allude, we are given an exponentially urgent image of devastation. This is projected, pitch-perfectly, into a rapacious and erosive aural demonstration that barely meet metrical demands. Exploit Divisions, the first Lundin Oil release since 2016, redoubles this threatening realisation. The album pivots between seismic static waves and jagged rhythmic noise, seeking a wider vantage with melodic drone ensembles. A ferocious departure from his primary work, Exploit Divisions is a purposeful reminder of the savagery of brevity.

The strange, carbonated eventide of Evigt Mörker's cosmos takes new dizzy routes in his latest EP, 'Ett Vilt Ljus'. With the spectre of their more recent and stoic ambient works casting a shadow through the operational tics of this latest collection of tracks, the choppy psychedelia teases frenzied abandon with each bristling manoeuvre yet pitches us into the night again whenever light threatens to break. 'Hemliga eldar', 'Huggormen som vilar', and 'Det blåser en vind genom världen, och det har det alltid gjort' model three rudiments in polyrhythm, each curiously stabilised with choral-like backdrops, while the most flustered pieces can be found cut between.

Recorded by Anthony Linell & Jonas Rönnberg in Muskö, Sweden 2021 Mastered by Giuseppe Tillieci at EnissLab, Rome northernelectronics.se“The collaborative project of Northern Electronics' founders, Anthony Linell and Jonas Rönnberg, has never ceased to confront with their coupling of industrious delirium and pensive austerity. By now we know that only adrenaline can make sense of the toxic ensemble of purposes at the heart of Ulwhednar. Meditating on higher flights of thrill and disorder than their previous record, and with an acknowledgement of their Stockholm roots, 'Area 08' induces fever and anticipation with every gesture.The opening tracks make a raucous yet resolute introduction to proceedings, eventually issuing one of the album's most exquisite moments of reprieve with 'Akalla/Broken Swords'. However, it is the second half of 'Area 08' that formally admits their latest work has crossed a threshold yet unexplored by the pair. A suite of villainously propulsive tracks spit embers of caustic balms as they careen out of reach with the engorged march of 'Commuter Madness'. Cunning in as many ways as it is earnest and audacious, 'Area 08' is a welcome alarm from the nucleus of the mission.”

The oblique and annihilating transmissions emanating from the workshop of Polar Inertia have been issued intently and surely over the last decade and more. Environment Control grants access to the biggest consignment to date, with eight tracks of mesmeric play that are fraught with clinical impulsiveness and astringent rushes.Opening with a didactic panegyric to transmutation, Polar Inertia swiftly counter our recoil with an ominous display of pressure on 'Smothering Dreams'. The intensity is sustained—as if to suggest that there's now no way back—until the menace relents on 'Artic Horizon', its shimmering gravitational pull amounting to an idealism after the unease that delivered us here.Credits:Recorded by Polar Inertia between Montfort and Ivry 2022-2023Mastered by Giuseppe Tillieci at EnissLab, RomeDrawing by Jonas RönnbergPhotography by Marcel Engdahlnorthernelectronics.se

Written, recorded and produced by Matti Bye in Fårö, Sweden 2022 The recordings were made on a 1926 Steinway Grand Piano through the EMS Synthi A, recorded onto tape with Nagra IV S. Photography by Matti Bye Mastered by Giuseppe Tillieci at EnissLab, Rome“The prolific Swedish pianist and composer Matti Bye has long been associated with Northern Electronics, appearing on well-enumerated compilations and collaboration-rich works. This is the first time he presents his own full-length recording with the label.'Between Darkness and White Snow' captures Bye's elemental radiance in four vignettes. Recorded on a 1926 Steinway Grand Piano through an EMS Synthi A, 'Between Darkness and White Snow' renders the perplexity of polarity with a grave assembly of textural phenomena and lyrical figures. As ephemeral harmonic mazes wilt into subdued distortion, we are left with a tentative invitation to gaze into the pooling material of Bye's compositions.”

The machinic rapture of Van Boom’s debut album, ‘Prosthetics’, firmly planted the Kuwaiti artist in the underground of critical producers that stoke grisly and inhuman themes. Set against the backdrop of the Gulf Region, these themes remain exceptionally nefarious. His latest release, the ‘NUBORNE’ EP, mounts wider explorations of the eviscerating sonic grounds that he began to depict with his first long-playing document.Gestured with the EP’s title, ‘NUBORNE’ stakes its significance on regeneration and permutation, clearly relishing in the aftermath of ‘Prosthetics’. Across four tracks, Van Boom crafts precisely to forge a set of works that are attached to their live performance state. It’s here that the EP is at home, for this is where unknowns come into play, this is where distortion leads to novel structures. Featuring collaborations with whiterose, Safety Trance, and Evita Manji, ‘NUBORNE’ is rendered evermore atypical. Accompanying the shift in design, there’s an unnerving ambience that’s given free reign across the EP, too. Snapshots of solitude prick the focal points amongst rhythmic tics, as if these shards deform the tracks in real time. With sheer relentless momentum, Van Boom seizes a new path wielding his familiar forces.