Mark Lando
Salk Zone EP

Shipping from EU: ❌Shipping from UK: ✅4th release for the London-based E2-E8 Records. Whilst continuing on the path set by Orphic’s widely acclaimed “Shelter EP”, this one marks a return to the label’s beginnings. Music comes from rapture wizard Miro Sundaymusiq, who featured on E2-E8’s first release and previously appeared on Carl H’s Animals On Psychedelics. And the Animals On Psychedelics sound is very much what’s channelled here with ITWT (we’ll let you figure out what the acronym stands for!). A suspended number with plenty of tension in the first minutes, with a change in atmosphere when you least expect it.On the B-side we are delighted to have S.O.N.S providing his interpretation of ITWT. One for peak times and booming speakers, a sea of low and high frequencies blending together. This one will appeal to discerning dance floors while firmly standing the test of time.

Shipping from EU: ✅Shipping from UK: ✅The third and final chapter of the “Systema Naturae” series with fresh deep techno visions from newcomers Daniel[i], Alex Tomb and Kontinum plus the collaboration between Berlin based artists Mary Yuzovskaya and Claudio PRC.

Shipping from EU: ✅Shipping from UK: ✅In the last 10 years STAUB has been doing its own thing. No lineups have ever been announced, which has allowed newcomers to be surrounded by bigger names. It does not matter if you are famous or not, what matters is the quality and dramaturgy of the party. Everybody is paid the same, and quite a few social projects and charities are supported. Artistic collaborations with different crews have flourished. All in all, this attitude helps to explain the longevity of the party.For our birthday episode, you can expect the techno fairies to visit ://about blank. It will last 24 hours and be the opportunity to present the latest EP in our STAUB series. As usual it is a Various Artists released by Intergalactic Research Institute For Sound. These five tunes represent what you can hear at STAUB, music that ranges from leftfield to drum and bass, from ambient soundscapes to booming techno.Once upon a time, a little girl felt something was missing in her life. She searched and looked everywhere in the world. As she longingly stared at the clear blue sky, she noticed puffy white trails behind airplanes. For days and nights she walked - sometimes ran - behind these sinister tracks made of vapor. Extraterrestrial entities seemed to blink in the darkest nights and approved of her mission. After a year she finally arrived at its source. When she asked around what it was, the answer was a word full of mysterious energy: STAUB.Love, STAUB

Shipping from EU: ✅Shipping from UK: ✅System Revival Recordings is proud to present the first 12” release through a sub-catalogue series called Minor SetbacksThe SRR project was born durning the late summer months of 2020, a year where the world was living through a ‘global pandemic’ as well as endless daily tragedies which are always ongoing.Starting with a series of charity compilations aiming to raise funds and awareness for ongoing humanitarian and refugee crises.This 12” will showcase one of these track contributions by US native, and Berlin based multi-disciplinary producer Headless Horseman (originally released on the ‘Beirut Will Rise Again’ compilation from Nov 2020)Following the original, we have 2 remixes by 2 of the most inspiring artists in our time. What can be considered a true pioneer for modern electronic and experimental music and technology - German artist Monolake. Following that, is a rework by Erika, one Detroit’s finest producers, DJs, label owners, promoters and educators - and involved in projects Ectomorph (with BMG), Interdimensional Transmissions, No Way Back and more.

EU Stock: ✅UK Stock: ✅After two series of conceptual EPs and the intricate experimental “Enso” Festival compilation, Kosei Fukuda returns with a full length solo project – the debut LP. This marks his thirteenth release on the Reiten label – a platform he created to showcase his techno music and the more general, experimental aesthetic agenda of which the club music is but one facet. As a producer and sound artist, Fukuda has shared his time between Tokyo and Berlin. Delving into the music scene of the latter in the late 2010s, he attracted the attention of and has worked with artists including Berghain resident Tobias Freund, Claudio PRC and Rabih Beaini. The album is split into two halves, and in principle, the two albums, called ‘Ruten –’ and ‘Ruten +’ are meant to represent the principle of Ying & Yang, the two elemental forces and the eternal cycle of energy. As a whole, they signify a journey from the nascent being to the eventual dissolution of everything into nothing. The first volume starts appropriately with the unassuming intro “dawn” and proceeds from the investigative look at the evanescent yet tangible droplets of “mist” and on to the contemplative gaze at the most distant, unreachable constellation of “nebula”. Regardless of metaphorical intent though, the music moves within one universe of downtempo, ambient and drone, combining the palpable beats (rhythmic pattern) with the atmospheric backgrounds (harmonic flow).

Dutch dance troupe ISOTOOP inaugurates its label with a quaternity of sly rhythms to mystify and elevate. Adhering to ISOTOOP’s unstated yet practised mantra of many growing as one, the culprits behind the pieces are none other than core family members Shoal (Kenny Kneefel) and Vand (Viktor van der Riet), unifying for the first time under the name of Voal. The longtime friends and compatriots in sound meld together to form a distinct entity; aligned as one, but audibly a product of their individual approaches. Across the four cuts, the two producers share a singular vision of club music, designed to initiate movement and shake the floor, while leaving essential space for thought and imagination. From the low-down and dirty funk of ‘Carpet Crawler’ to ‘Take My Hand’s bleary and dazed downtempo, evaporating in its final moments into transcendent closing ambience, Voal journey through a wide landscape of club electronics with a fervent pulse. Pinned between the two slower joints are ‘Lucifer’, a consecutive tumble through iterated rolling percussion and minimal basslines, and the kinetic, high-tempo fiesta of ‘Saffron’, a sure-fire favourite for the ecstatic midnight. Thick like warm tar, and airy as steam, Voal’s debut whets the appetite for more.Written by Freddie Hudson