E-Saggila
Gamma Tag

With a string of releases on prestigious labels such as The Gods Planet, Affin, Edit Select and Circular Limited - the London-based Acaera (formerly Basis Change) has become a reputable name in the realm of hypnotic techno. We are truly honoured to present this EP as our label’s first release, and we hope to return Acaera’s trust in us with the pressing of a beautifully packaged limited edition vinyl alongside the digital release. The vinyl includes two vinyl-only ambient tracks that book-end the release, with the first being the track from which the EP takes its name. Unfold begins a deeply personal journey, and immediately the listener is welcomed by a rich and atmospheric soundscape. This depth remains through the rolling enchantment of Apex and the off-kilter percussion and shifting grooves of Anaesthesia. Onto the B Side, Learned Behaviour is a track of slow revelation, pulling the listener mesmerically through its unfolding landscape. Forella will resonate with those who know Acaera’s signature sound, with broken rhythm work soaked in beautiful pads. Closing out the EP, Reorientation culminates on an uplifting note, leaving you contemplating feelings of warmth and hopefulness.The Artwork:Created by our resident artist, the cover artwork presents an unfolding succulent photographed from an unusual perspective. Here, the roots appear sprawling and grasping across the frame, evoking a tone that perfectly captures the mood of the record, whilst maintaining a level of mystique and ambiguity.Credits:Written and produced by Acaera Mastered by Giovanni Conti at Artefacts Mastering BerlinOriginal artwork by Anon

The concept of naught (Ø) has challenged Salvatore Mercatante throughout his musical career, specifically, trying to understand how the idea of ‘nothing’ fits into the realm of sound, and at the same time, exist in a world of influence at every turn. In the absence of everything, are we able to create something truly free?As a lifelong New York-based musician, Mercatante’s influences and productions run a wide spectrum. Just as happy producing 80s-inspired horror soundtracks as he is refining acute drum patterns over and over again, Salvatore is the first to ask himself, where next? When a musician’s output can be influenced today by so much, and there is no self-defined or perceived artistic goal in mind, how do you start from a place of nothingness, again and again?This approach has born many minimal and experimental albums of note in the past, but with Ø, Salvatore ended up with an almost controlled maximalist approach. Beginning with open spaces and allowing sonic textures to live and evolve past where you may expect, Ø allows the space between notes to become equally as important as the notes themselves. Walls of noise, soaring soundtracks, dense techno, glittering IDM, and minimal glitch, sit side-by-side to present an all-encompassing palette of sonic possibility.Often, even without any intent, what can be born from nothing will somehow transpire back into something more recognizable. It’s human nature after all. A subtle fingerprint, as a sequence, melody, pattern, or drum kick. Whether Salvatore intended for this record to represent his defining sound or not, only time will tell. Mastered by Giuseppe Tillieci @ Enisslab, Rome, Italy. Artwork by Brandon LocherWritten and produced by Salvatore Mercatante

For nearly 40 years, English producer Mark Van Hoen has been making challenging music that eludes easy categorization under his own name, as Locust, and in the groups Autocreation, Scala, and Drøne. While his output has skirted around the fringes of IDM, techno, trip-hop, ambient, drone, and electropop, it has mutated these genres' elements in distinctive ways, revealing a mind always questing for unprecedented sounds.This is Mark Van Hoen’s ninth album as Locust, and an instant classic.Drifting, hanging, holding. Hoping, seeking, searching. And then finding.Mark Van Hoen's ninth album as Locust is a cosmic whisper, a tender touch, where candid songwriting commingles with the afterimage of trip-hop and jungle. Across eight tracks, spectral melodies dance between languid breakbeats, and a formless murmur drifts through the ether, seeking a common thread.Layered in strata, "The First Cause" reveals itself anew with each listen. Delicate tones share space with bass weight. Drums crunch, and rhythms cascade. Voices loop and intone, bodiless. What at first seems melancholy, you may later find reoriented—toward promise.We seek solace in each other, and we seek solace in sound. Kinship isn't easy to come by. When a record offers its kind embrace to us as this one does, without reservation, we should take heed.Written, performed and produced by Mark Van Hoen© Touch Music/Fairwood Music UK Ltd℗ 2023 Mark Van Hoen under exclusive license to Mysteries of the Deepmarkvanhoen.comMastered by Rafael Anton Irisarri at Black Knoll Studio, NYPhotography by Grant AaronDesign by Gabriel BenzurWords by Chris Zaldua

Shipping from EU: ❌Shipping from UK: ✅A showcase of individual tracks from A Strangely Isolated Place’s 2021 labelreleases and a special continuous DJ mix by todos.~~For last year's label compilation, I mentioned how I hoped to invite a guest DJto compile the next edition, and here we are. Of course, it just had to be ourlong-term musical companion, a good friend of mine, and well-respected DJ,todos.I was first introduced to todos through his well-respected Kilchurn Mix series.I’ve said it before, and I’ll say it again, they remain some of my favoritemixes of all time (listen to them all on the ASIP site when you get a chance).His ability to craft a narrative, manipulate samples and respect the grey areabetween ambient and electronic music, is second-to-none.Since blogging about his mixes all the way back in 2008, and inviting him tocompile a special isolatedmix a few years later, Doug (todos) and I havestayed in touch and connected further after learning we grew up with verysimilar musical trajectories. Doug also coincidentally, ended up living wheremy family are today (and where I spent my life growing up) in a surprisingtwist of fate. And in 2021, after years of speaking online, we finally got tomeet, playrecords (in real life!), and go for a long overdue beer.I always earmarked Doug to be a part of ASIP somehow, so it is my absolutepleasure to hand over the DJ reins for the 2021 compilation edition. Doughad free choice over which tracks to choose, as long as he included one trackfrom each release of the year. The result is a very special mix, taking usthrough the ASIP 2021 release catalog in his unique, signature, todos style.“2021 has been another tough year but the music that has come out of it hasbeen wonderful. With so many excellent releases on the ASIP label, it wasexciting yet challenging to be asked to showcase a few on this mix. Massivethanks go out to Ryan for the opportunity and trust in letting me do this, theartists for their incredible talent and hard work, and lastly all the supportersof this music we love, I hope you enjoy.”- todosI’m excited for 2022, despite what will undoubtedly be a challenging year forall small labels, navigating the ever-increasing vinyl challenges. As you arenow evidently the beholder of the classic CD format and reading this, youmay be excited to learn that a few more shiny discs are coming very soon...ASIP

Shipping from EU: ✅Shipping from UK: ✅The Intergalactic Research Institute for Sounds is proud to present Requiem for Robots. For this latest transmission, Florina Speth aka Schloss Mirabell joined forces with a group of robots that were built by Kay Sievers (versioduo.com). The musical question this record states is: “Who animates what?”The physical body of these robots consists of a wooden cuboid, a single string around which a round, internally strung bow revolves, and a motorized finger which can press down the string. They produce sounds that are very similar to the cello. They display unusual characteristics such as motor noises, infinite sounds or sometimes scratchy and gruff qualities. In addition, there is the extraordinary level of kinetic expression created by the bow circling around the string. Taken together, precisely these peculiarities form a unique instrument profile, a character which is emphasized in the presented project.Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg'' at Clemens Hagen when she was 11. She won several prizes and was part of orchestras such as the Bayerisches Landesjugend Orchester and Salzburger Junge Philharmonie. Always keenly interested in contemporary music, she loves bridging experimental arts with science. She composes and works with cello and cello robots. She regularly collaborates with Dasha Rush, Hüma Utuku, Nicholas Bussmann, Lucile Desamory and Larissa Lackner.

Recorded in Copenhagen, Denmark August 2023
Music By Christian StadsgaardMixed By Christian Stadsgaard and Malthe FischerMastering by Giuseppe Tillieci at EnissLab, RomeFor Helle