Rezo Glonti
Recollections III-IV

Shipping from EU: ✅Shipping from UK: ✅The Intergalactic Research Institute for Sounds is proud to present Requiem for Robots. For this latest transmission, Florina Speth aka Schloss Mirabell joined forces with a group of robots that were built by Kay Sievers (versioduo.com). The musical question this record states is: “Who animates what?”The physical body of these robots consists of a wooden cuboid, a single string around which a round, internally strung bow revolves, and a motorized finger which can press down the string. They produce sounds that are very similar to the cello. They display unusual characteristics such as motor noises, infinite sounds or sometimes scratchy and gruff qualities. In addition, there is the extraordinary level of kinetic expression created by the bow circling around the string. Taken together, precisely these peculiarities form a unique instrument profile, a character which is emphasized in the presented project.Florina Speth, born 1983 in the mountains near Salzburg, started playing the cello and piano at the age of 6 and began studying music at the “University Mozarteum Salzburg'' at Clemens Hagen when she was 11. She won several prizes and was part of orchestras such as the Bayerisches Landesjugend Orchester and Salzburger Junge Philharmonie. Always keenly interested in contemporary music, she loves bridging experimental arts with science. She composes and works with cello and cello robots. She regularly collaborates with Dasha Rush, Hüma Utuku, Nicholas Bussmann, Lucile Desamory and Larissa Lackner.

In 2022 we journeyed to the center of the earth with Agartha, Lasha Chkhaidze's first album. This time we go the opposite direction, and fly towards the outer edge of the atmosphere. Atmos, the latest offering of the young and talented Georgian artist, sees him explore the ether. Subtle and intricate layers are weaved together on the course of six tracks. This ambient album offers a completely different artistic direction compared to his previous work. Where melancholia and piano dominated Agartha, we are throughout Atmos taken into an otherworldly environment. The LP’s atmospheric undertone combined with its glitchier elements brings it into a lightly psychedelic dimension. With its really beautiful soundscapes and subdued intricate ideas, Atmos will undoubtedly please listeners of finely written ambient.Lasha Chkhaidez is a gifted musician capable of crafting evocative music, The Intergalactic Institute for Sound is glad to present his deeply immersive experience to the public.

Shipping from EU: ✅Shipping from UK: ✅In the last 10 years STAUB has been doing its own thing. No lineups have ever been announced, which has allowed newcomers to be surrounded by bigger names. It does not matter if you are famous or not, what matters is the quality and dramaturgy of the party. Everybody is paid the same, and quite a few social projects and charities are supported. Artistic collaborations with different crews have flourished. All in all, this attitude helps to explain the longevity of the party.For our birthday episode, you can expect the techno fairies to visit ://about blank. It will last 24 hours and be the opportunity to present the latest EP in our STAUB series. As usual it is a Various Artists released by Intergalactic Research Institute For Sound. These five tunes represent what you can hear at STAUB, music that ranges from leftfield to drum and bass, from ambient soundscapes to booming techno.Once upon a time, a little girl felt something was missing in her life. She searched and looked everywhere in the world. As she longingly stared at the clear blue sky, she noticed puffy white trails behind airplanes. For days and nights she walked - sometimes ran - behind these sinister tracks made of vapor. Extraterrestrial entities seemed to blink in the darkest nights and approved of her mission. After a year she finally arrived at its source. When she asked around what it was, the answer was a word full of mysterious energy: STAUB.Love, STAUB

*Vinyl reissue* Now available for the first time on limited edition 12”.After two albums on A Strangely Isolated Place as Comit, James Clements brings his ASC alias to the label with a completely new and revealing style, focusing on the piano and creating space for the listener to construct their own associations with an imaginary Soundtrack.Bridging the majority of Electronic styles over the past twenty years, from Autonomic and Jungle, to Ambient, Techno and IDM, James Clements can be held up as a master of these styles by many of us, but when it comes to boiling down his musical intricacies to focus on a single instrument, you’d be hard stretched to find something within his vast catalog until now. In 'Original Soundtrack' the piano is now the focus across eight introspective acts, with the spaces and places left open for further interpretation.Mastered by Rafael Anton Irisarri and featuring photography by Greg Nunn, Original Soundtrack was originally available as a limited Digipak CD and digital download and is now available as a limited edition 12” pressed on black vinyl.

EU Stock: ✅UK Stock: ✅"Accosting Form, Pure Intent" — Nathaniel Young’s debut album for Mysteries of the Deep — is a contradiction that makes sense. At once raw and elegant, it emerges from a place of constraint and desire. Its individual tracks reflect this paradox as the album unlocks itself like a koan: a riddle that, once solved, dawns on the listener like an epiphany.Despite the assorted elements at work, a visceral quality binds everything together. Even the record's more subdued works are textured and tangible, at times balancing or playing against the serrated edges of its more structured pieces. Like all compelling works, the sounds here exist in a liminal space that is not entirely classifiable. Still, it is wholly cohesive in both its moodiness and its adeptness.“The entirety of the LP was written using a Korg MS-20 Mini, Korg SQ-1 step sequencer, Korg Volca Beats, Korg Volca Kick, Behringer Model D, and a Zoom H4N. The core of each track was recorded live in one or two takes and subsequent synth parts were overdubbed after the fact. Since I was working solely with monophonic synths, I utilised a lot of panning in the overdubbing process to help create new harmonics, and even chords in some cases, which really helped flesh out the often extremely monolithic and singular sounding analog synths. Beyond that, as I mentioned, I really focused on creating sequences that I found I could listen to on repeat no matter their level of simplicity.”

”Trailcam is the latest focus project from Toronto-based artist Rita Mikhael, formerly known by the moniker E-Saggila. A bold artistic statement, the project continues to expand the boundaries of her evolving sonic landscape.Drawing from a lifelong immersion in music ’Drumlin Loop’ opens with a hip-hop-inflected instrumental track before unfolding into more cerebral, textured terrain—offering a sonic journey that is both introspective and unapologetically singular.Staying true to her ethos of creative freedom, Mikhael defies genre constraints and expectations. Trailcam embodies this restless artistic drive, showcasing her distinctive ability to weave emotional depth into bold, experimental compositions”Written and produced by Trailcam in Toronto, ON 2024Mastered by Giuseppe Tillieci at EnissLab, RomeArtwork by TrailcamDesign by Dominique Saiegh