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Colombian-born artist Juan Carlos Torres Alonso, aka OKRAA, presents his third sonic exploration on A Strangely Isolated Place titled, La Gran Corriente. This album marks a profound shift in Juan's creative journey, where themes of portals, the illusion of time, and the paradoxes of self-discovery converge into a powerful auditory experience.Following a transformative visit to Bogotá in May 2023, Juan underwent an introspective journey that inspired a new direction in his music. This experience, which he describes as an encounter with "an infinite current behind or inside of everything," led to a complete reimagining of his work. Abandoning previous demos, Juan embraced a liberated creative process that was both challenging and exhilarating. La Gran Corriente is characterized by its innovative production techniques, eschewing fixed grids and BPMs in favor of fluid, organic structures and combining influences from Juan’s other production alias, ‘Laudrup’. This approach not only opened up new creative possibilities but also led to numerous "happy accidents," resulting in a body of work that is as unpredictable as it is cohesive.At the heart of the album lies a poem written by Juan during production, a text that echoes the themes woven throughout the music. Translated loosely to English, the poem reflects on the nature of reality and time, with lines like "the land of oblivion is not real" and "the great current reminisces; time is an illusion." These words serve as both a guide and a reflection of the album’s deeper meaning.La Gran Corriente is a record that invites the listener to unlearn and to immerse themselves in a sonic current that is both infinite and transformative. It’s a testament to the power of creative reinvention and the relentless pursuit of deeper truths through music.Featuring artwork by Peter Skwiot Smith, La Gran Corriente is available on gatefold colored vinyl 2LP, mastered by Taylor Deupree / 12k Mastering, with full release on 30th October 2024.

For nearly 40 years, English producer Mark Van Hoen has been making challenging music that eludes easy categorization under his own name, as Locust, and in the groups Autocreation, Scala, and Drøne. While his output has skirted around the fringes of IDM, techno, trip-hop, ambient, drone, and electropop, it has mutated these genres' elements in distinctive ways, revealing a mind always questing for unprecedented sounds.This is Mark Van Hoen’s ninth album as Locust, and an instant classic.Drifting, hanging, holding. Hoping, seeking, searching. And then finding.Mark Van Hoen's ninth album as Locust is a cosmic whisper, a tender touch, where candid songwriting commingles with the afterimage of trip-hop and jungle. Across eight tracks, spectral melodies dance between languid breakbeats, and a formless murmur drifts through the ether, seeking a common thread.Layered in strata, "The First Cause" reveals itself anew with each listen. Delicate tones share space with bass weight. Drums crunch, and rhythms cascade. Voices loop and intone, bodiless. What at first seems melancholy, you may later find reoriented—toward promise.We seek solace in each other, and we seek solace in sound. Kinship isn't easy to come by. When a record offers its kind embrace to us as this one does, without reservation, we should take heed.Written, performed and produced by Mark Van Hoen© Touch Music/Fairwood Music UK Ltd℗ 2023 Mark Van Hoen under exclusive license to Mysteries of the Deepmarkvanhoen.comMastered by Rafael Anton Irisarri at Black Knoll Studio, NYPhotography by Grant AaronDesign by Gabriel BenzurWords by Chris Zaldua

All tracks written and produced by Rita Mikhael in Toronto, Canada 2023 Mastered by Giuseppe Tillieci at EnissLab, Rome
Visual by Dominique Saiegh ”The euphonic tics of E-Saggila's music are typically found in symbiosis with the exacting intensity of her rhythmic arrangements, as meticulously deranged as they are. 'Gamma Tag' refreshes expectations by making more space for melodic conditioning and inculcation, whipping ultraviolet harmonics into uncanny plains for a wide range of tempos and cadences. While breaks remain staccato hammers, and kicks are cast to negate cardiac systems, E-Saggila's modulation of rhythmic dynamics is more p

Following their 2021 debut album, ‘Brama’, One MillionEyes return with their highly anticipated second album,‘Iris’, set to captivate us once more through akaleidoscope of rich analog and instrumentalfragments.The inspiration behind the album was born from apowerful symbol—the iris of the eye. Controlling theinflow of light, the iris mirrors the duo's mission for thealbum, “letting light in, even in the darkest of times”.Representing an attempt to shed new insight on theirsometimes indescribable approach, Paolo and Lucianocompare the ambition (and consequent imperfections)throughout their music to that of the imperfect, yetunique array of color found within an iris, in the hope itcan completely entrance and mesmerize.With much of the album recorded live, ‘Iris’ marks arefined evolution in the One Million Eyes sound bornunder their Tempelhof guise many years ago. Infusingorganic sound elements such as voice fragments,acoustic guitar lines, and drum beats at the forefront oftheir compositions, their vast array of analogsynthesizers once again provide added depth andwarmth, resulting in majestic, hypnotic circular motifsthat Paolo and Luciano describe as "Mantras, rising andfalling in volume and intensity."Mastered by Rafael Anton Irisarri, and featuring artworkby Ventral Is Golden, ‘Iris’ will be available onNovember 10th, on turquoise vinyl, digital, and streaming.There will also be a limited run of multi-colored ‘Iris’ 12”available directly on the label’s Bandcamp.

Shipping from EU: ❌Shipping from UK: ✅Arguably Christian Kleine’s most comprehensive and colorful release to capture his enigmatic IDM style, originally released on CD in 2020 is now available on Neon Orange 2LP.“You’re heavily inspired by what you love and will do anything to be a part of it when growing up”, says Christian. “The more you create, the more familiar you become as the years move on, and your ambition to perfect it becomes even stronger”.This natural evolution is something Christian Kleine is well versed in and since his first releases in the early 00’s, Christian has been synonymous with perfecting a particular sound that draws from early IDM, breaks and influences as far reaching as Punk music.Touch & Fuse continues the melodic, drum-driven finesse he has become known for, but instead of trying to perfect anything new, different or conceptual two decades later, we’re treated to an album unconsciously inspired simply, by the wide variety of music he likes.The slow waltz of album opener Return of The Underground; the nostalgic synthesizers in Nearfield to Nowhere; the electro-punk undercurrent of Number 6; the acid-tinged Val 2, or the Shoegaze-lulls in album closer Room In The Mirror; Touch & Fuse plays like a trip through Christian’s musical upbringing - snapshots in time, told in a timeless manner.“Touch & Fuse is my way of reflecting where I am and what interests me, in the hope that other people find something for themselves in there as well. For me, music has the power to change my perspectives on time - it can act like a drug pretending I have seen and experienced things I never would have otherwise” - CK.

Markus Guentner returns to his longstanding label, A Strangely Isolated Place following the triptych of ‘Theia’, ‘Empire’, and ‘Extropy’, presenting eight inspiring collaborations on ‘Kontrapunkt’.Collaborations are nothing new to Markus, but it’s hard to see beyond his strong singular presence as a pioneer of long-form ambient and drone. Collabs have punctuated his albums in various places over the years, and he is no stranger to working as a duo amongst other projects, with such a strong conceptual thread throughout his prior ASIP releases, Kontrapunkt represents a literal pivot and counterpoint in his production approach. Instead of music encapsulating a strong conceptual narrative, Kontrapunkt sees Markus create a dialogue between himself and a collection of inspiring production partners. Kontrapunkt opens with ‘Vanish’, a widescreen cinematic odyssey created in collaboration with fellow German and Affin label-head Joachim Spieth, forming the perfect opener with its modest subtleties. Australian-born Karen Vogt, renowned for her voice layering and looping, brings a beautiful, and natural addition to ‘All Light Will Remain’. Sonae, who appeared on ASIP’s early digital releases, demonstrates her evolution into experimental flourishes with ‘Farbe Der Nacht’, adding pulsating techno tendencies and a menacing, metallic approach to Markus’ foundations. Multi-instrumentalist Pepo Galán harmonizes beautifully with Markus on ‘Ancestral Images’, adding complex nuances to a slowly evolving euphoric piece. A master of synthesis, Arovane delivers a powerful display of supercharged electronics and coils of energy on ‘Utopian Fragments’. Benoît Pioulard's renowned expertise with guitars and tape distortion become a perfect counter to the electronics of Markus, blending styles seamlessly on ‘Father Of Waters’. ‘An unstoppable force meets an immovable object’ on ‘While Hunting Nightmares And Dreaming For Peace’, as Abul Mogard adds powerful restraint in a meeting of two drone titans. The album concludes with ‘Presence’, where Hollie  Kenniff’s uplifting vocals provide a shimmering finish, perfectly bookending an album of perfected counterpoints and evolutions on the Markus Guentner sound.Kontrapunkt will be available on Gatefold Black/Grey/Blue marble 2LP, digital and streaming on August 30th 2024. Mastered by Gio at Artefacts Mastering, Berlin, and featuring artwork by Noah M / Keep Adding.